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Moth Smoke, by Mohsin Hamid
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Available for the first time from Riverhead—the debut novel from the bestselling author of The Reluctant Fundamentalist. Look out for Mohsin Hamid's next book, Exit West, coming March 2017
Moth Smoke, Mohsin Hamid’s deftly conceived first novel, immediately marked him as an uncommonly gifted and ambitious young literary talent to watch when it was published in 2000. It tells the story of Daru Shezad, who, fired from his banking job in Lahore, begins a decline that plummets the length of Hamid’s sharply drawn, subversive tale.
Fast-paced and unexpected, Moth Smoke was ahead of its time in portraying a contemporary Pakistan far more vivid and complex than the exoticized images of South Asia then familiar to the West. It established Mohsin Hamid as an internationally important writer of substance and imagination and the premier Pakistani author of our time, a promise he has amply fulfilled with each successive book. This debut novel, meanwhile, remains as compelling and deeply relevant to the moment as when it appeared more than a decade ago.
From the Trade Paperback edition.
- Sales Rank: #343400 in eBooks
- Published on: 2012-12-04
- Released on: 2012-12-04
- Format: Kindle eBook
Amazon.com Review
Since the late 1970s, India in all her infinite variety has been brought to life as a posse of Indian authors writing in English have exploded onto the scene: Salman Rushdie, Arundhati Roy, Anita Desai, Rohinton Mistry, Vikram Seth, Bharati Mukherjee--the list is legion. But what of Pakistan--that Siamese twin, painfully separated in the partition of 1947? Though neither as numerous nor as well known as their Indian counterparts, Pakistani writers are beginning to make an impression on Western readers. Novelists from Rushdie to the Pakistani Bapsi Sidwha have written about the partition and the bloody civil war that followed; even stories set in modern-day Bombay or Lahore cannot escape the aftershocks of the division. On the surface, Mohsin Hamid's first novel, Moth Smoke, seems more domestic than political drama: narrated from several different perspectives, it tells the story of Daru Shezad's ill-fated affair with his best friend's wife, Mumtaz. But in a country like Pakistan, the personal and the political are difficult to separate, and as the story moves along, the divisions between gender, class, and opportunity provide a not-so-subtle commentary on the fissures that run through contemporary Pakistani society. The novel begins, tellingly, with a historical fragment about the internecine wars of succession that followed the rule of Emperor Shah Jahan (builder of the Taj Mahal): Imprisoned in his fort at Agra, staring at the Taj he had built, an aged Shah Jahan received as a gift from his youngest son the head of his eldest. Perhaps he doubted, then, the memory that his boys had once played together, far from his supervision and years ago, in Lahore. Jump ahead several hundred years to Lahore in the summer of 1998. Childhood playmates Daru and Ozi have just reunited again after Ozi's three-year stay in America. Glad as he is to see his old friend, Daru can't keep his eyes off of Ozi's wife, Mumtaz. "You know you're in trouble when you can't meet a woman's eye," he says. But woman trouble isn't his only problem; he's also addicted to hash, which leads to his dismissal from an upscale job as a banker. Soon Daru spirals out of control into a degraded existence on the fringes of society. Then a young boy is killed in a hit-and-run accident, and he is accused and jailed. Shah Jehan would probably recognize this age-old story of love and revenge playing out once more--this time against the backdrop of the Indian-Pakistani arms race. Hamid artfully weaves the subcontinent's tragic history into his characters' no-less-tragic present, rendering Moth Smoke a novel that resonates on many levels. --Sheila Bright
From Publishers Weekly
Hamid subjects contemporary Pakistan to fierce scrutiny in his first novel, tracing the downward spiral of Darashikoh "Daru" Shezad, a young man whose uneasy status on the fringes of the Lahore elite is imperiled when he is fired from his job at a bank. Daru owes both the job and his education to his best friend Ozi's father, Khurram, a corrupt former official of one of the Pakistan regimes who has looked out for Daru ever since Daru's father, an old army buddy of Khurram's, died in the early '70s. As the story begins, Ozi has just returned from America, where he earned a college degree, with his wife, Mumtaz, and child. From the moment they meet, Daru and Mumtaz are drawn to each other. Mumtaz is fascinated by Daru's air of suppressed violence, and Daru is intrigued by Mumtaz's secret career as an investigative journalist; the two share a taste for recreational drugs, sex and sports. But their affair really begins after Daru witnesses Ozi, driving recklessly, mow down a teenage boy and flee the scene. Daru decides then that Ozi is morally bankrupt. But as Daru becomes more dependent on drugs, the arrogance he himself has absorbed from his upper-class upbringing stands out in stark contrast to his circumstances. Daru's noirish, first-person account of his moral descent, culminating with murder, interweaves with chapters written in the distinctive voices of the other characters. One in particular comes vividly to life: Murad Badshah, a sort of Pakastani Falstaff, officially the head of a rickshaw company, but kept afloat by drug dealing and robbery. Hamid's tale, played out against the background of Pakistan's recent testing of a nuclear device, creates a powerful image of an insecure society toying with its own dissolution. (Jan.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Set in Hamid's native Lahore, Pakistan, this first novel provides a pitch-perfect tale of the destruction of a young man. Socialy unconnected, Daru loses his precarious footing among the respectably employed and falls into an abyss of emotional depression, moral turpitude, and criminal activity. He goes from bank employee to drug dealer to holdup man, while falling in love with Mumtaz, the journalist wife of Ozi, Daru's boyhood best friend and rival. Ozi strips daru of his self-respect, and Mumtaz can never merely be Daru's lover, for she is both liberated and besieged by her own moral ambiguity. With a sure hand, hamid paints Daru, Lahore, the weight of Western materialist values, and evolving and devolving friendships, giving us near-photographic realism softened by the shading influences of well-turned phrases. Moving quickly but inviting prolonged retrospection, this first novel lays bare a human core that festers in its own unremitting heat. Hamid is a writer to watch. For all public libraries.
Francisca Goldsmith, Berkeley P.L., CA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Fabulous!
By M. Desoer
"Moth Smoke" is, by far, one of the best novels that I have read in a while -- and I read a lot. The descriptions of Lahore and the societal strata in modern Pakistan are captivating. The author has crafted captivating, multi-dimensional characters, none of which is perfect, but each of which I felt drawn to, in a different way. The story focusses on our "hero," who loses his job, and then makes a series of bad decisions which compound on one another.
This book is marvelously written. Every other chapter is told in a different style, from another character's point of view (the alternating chapters are told from the protagonist's point of view). The changes in tone are extremely realistic, and showcase the author's obivious talent.
I found the first couple of chapters a little confusing, at the outset, but they became clear as the book continued -- in fact, when I finished the book, I immediately turned to and reread the beginning. I have never done this before.
I very highly recommend this book, which is, in reality, a colorful fable.
0 of 0 people found the following review helpful.
A Special Read Worth A Special Trip
By Jana McBurney-Lin
This is the story of a young Pakistani accused of having an affair with his best friend's wife and killing a boy. In the background, however, are more important issues dangling, like Pakistan's devastating split with India, nuclear testing between the countries, the caste system and rampant poverty.
The prose reads like poetry, the story unfolding like a dream. I was so captivated that, when I accidentally returned my copy along with a bunch of library books, I felt devastated. I called the library as soon as it opened the next day and drove down especially to retrieve the treasure.
7 of 8 people found the following review helpful.
Excellent read
By M. A. ZAIDI
A very refreshing novel. On reading it i could not stop but reminisce of the times i spent back home. Hamid hits the social strata in south asia perfectly. On one hand you have the jet-set (mobile phones, pajeros, personal power generators, industrialists, Johnny Walker, yuppie parties) and on the other there are the rest (analog phones, suzukis, power breakdowns, wage earners, russian vodka, gate crashers).
The novel circles around Daru who falls from grace by getting himself fired. After this he finds himself in an endless social decline only to end up with a career in crime. In this endeavor he takes his drug peddler Murad Badshah as a partner in crime. When a long planned heist goes awry Daru finds himself on a trial for a murder he may or may not have committed. ....
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