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The Fashion Book, by Editors of Phaidon Press
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Why do we dress the way we do? Why has fashion changed and evolved over the centuries? How did the 3-piece suit come about? What is a ruff? Why have hemlines risen and fallen over time? Why did a suntan replace the pale, peaches-and-cream face as the sign of a high-class woman? In this book, fashion specialist Colin McDowell goes beyond standard fashion histories and narrative surveys to answer all these questions and more. Fashion is about the body. The first book to reflect this truism, The Anatomy of Fashion is the ultimate guide to how we dress, why we look the way we do and how this has changed over time. By breaking fashion down into its basic elements, explaining them in detail and showing how they fit together, McDowell maps out the historical evolution of fashion, demonstrating how fashions from each period in history have contributed to the way we look today. He paints a broad and accessible picture of the forces at work in the creation and development not just of clothing, but of all aspects of appearance. Fashion is both functional and expressive - we wear clothes to keep warm or for protection - but they also articulate the way we feel and are often used to impress. Fashion trends are influenced by history and their social context. For example, the waistcoat is often believed to have been introduced as part of the Victorian 3-piece suit. In fact, it was brought to England by Charles II in 1666 after his restoration and return from exile at the French court. Samuel Pepys, diarist and civil servant, wrote: 'The King hath yesterday in council declared his resolution of setting a fashion for clothes which he will never alter. It will be a vest, I know not well how.' Charles wanted the new garment to be part of a restrained national dress for gentlemen and the vest flourished throughout Georgian times as a show-off garment made of rich silks and heavily embroidered, often in silver and gold. The book is divided into 3 main sections. Section 1 looks at the body unclothed and the different 'skins' that cover it; subjects include human skin, pale skin v. tanned skin, tattoos, piercings, fabrics, colours and pattern. In section 2 fashion is broken down into body parts and the relevant individual elements of dress are discussed - from head to toe. Body parts include the head (e.g., hats, hair, wigs), the shoulders (e.g. shoulder pads, straps), hands (e. g., gloves, jewellry), legs (e.g., hem lengths, pantaloons, skirt shapes, hosiery). Section 3 returns to the body as a whole to consider how these elements create 'fashion' and what different looks say about the way we dress. The author will cover subjects such as military dress and uniform, cult styles including the grunge look, goths and gangs. By breaking fashion down in this way, readers will understand why we dress the way we do and how this has been shaped throughout history. Each sub-section in the book (e.g., Skin, Neck to hips, Uniform) will have a timeline and a short introduction. Each of these sub-sections is then further divided into the individual elements (e.g. Neck to hips will include shoulders, hands and waist, etc.) The author envisages that each of these elements will be contained on a spread. So, for example, the shoulders spread would include an introductory text and a selection of images (photographs, painting details and drawings of straps, shoulder pads, epaulettes, etc.) with short texts that explain their historical context, their function and how they have changed over time. The book's dynamic structure and layout are equally suited for browsing and for serious reference. However, The Anatomy of Fashion is not simply a picture book. It is a sourcebook by one of the world's leading fashion scholars that seeks nothing less than a thorough analysis of the roots of every aspect of fashion today.
- Sales Rank: #140398 in Books
- Brand: Brand: Phaidon Press
- Published on: 1998-01-10
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 11.75" h x 1.75" w x 10.25" l, 6.91 pounds
- Binding: Hardcover
- 512 pages
Features
- Used Book in Good Condition
Amazon.com Review
James Abbe, a 1920s fashion photographer, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer François Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford.
Clearly, a good set of eyes edited this book. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect. The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.
The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal.
From Library Journal
This highly illustrated coffee-table book celebrates 20th-century fashion in style. It is a virtual cavalcade of the most successful names in the fashion industry and highlights a host of designers, models, illustrators, photographers, milliners, tailors, cosmetics and makeup artists, hairdressers, publishers and editors, and fashion icons, including Armani, Avedon, Cartier, Ferragamo, Gucci, Twiggy, Vreeland, and James Dean, to name a few. Alphabetical entries cite contributions to the industry. The biographical information is kept to a bare minimum, and there is no traditional subject index linking similar entries together, although this is partly accomplished by guides at the end of each entry. The book concludes with a glossary of movements, genres, and technical terms, as well as a directory of museums and galleries. This lightweight treatment is reluctantly recommended as a popular culture item.?Stephen Allan Patrick, East Tennessee State Univ. Lib., Johnson City
Copyright 1998 Reed Business Information, Inc.
Review
'A must for every self-respecting and dedicated follower of fashion.' (Sunday Telegraph Magazine) 'An AZ of everything you could wish to know about the past 140 years of fashion. Models, moguls, designers and photographers are profiled and cross-referenced in this indispensable survey.' (Harpers & Queen) 'It is probably the most comprehensive fashion encyclopaedia for general consumption available. A must-buy for the fashion obsessive.' (Independent on Saturday) 'A masterly encyclopaedia.' (Tatler) 'A feast of fashion and cheaper by far than a designer garment.' (The Big Issue) 'An excellent guide to fashion in all its diversity.' (Irish Times) 'At last, at last, at last our prayers have been answered. Phaidon have come up with every fashion lover's dream, The Fashion Book, both beautiful and faultless.' (What's On in London) 'The fashion bible.' (Vogue) 'The ultimate fashion reference book.' (Elle)
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
The best coffee table decor item. This is so much better than the newer version!
16 of 18 people found the following review helpful.
Mini Edition may not be the best choice
By Lady D
This book was suggested reference material for a college course of study at FIDM. Initially I thought this was a paperback condensed version of the hardback book. Upon receipt I found it extremely difficult to read without a magnifying glass - the print is literally micro-small. At first I blamed my aging eyes, but my nineteen year-old daughter whom I purchased the book for has 20/20 vision, and she expressed a similar opinion. I would not recommend this version of the book - if you have the option, purchase the full size hard bound copy.
26 of 30 people found the following review helpful.
The Most Ambitious Fashion Summary Ever
By Donald Mitchell
This is the Reader's Digest Condensed version of the history of fashion over the last 150 years. Unlike Reader's Digest, this book succeeds in capturing the essence in amazing kernals of elegance, curve, design, and motion. Everyone who loves fashion should have this book. There is simply no substitute for it, and you will have many hours of pleasure looking at its exciting images and reading the descriptions. The book is a great value for its price, as well, which will help make it available to more people.
The book is in a novel format, one page each for 500 icons, models, fashion and accessory designers, make-up artists, hairdressers, retailers, illustrators, and photographers done in alphabetical order. Each page typically has one person (a few have two), with one image, and one brief textual summary of the person's work.
It is an amazing challenge to capture all of a person's work in one image, and some great successes occurred. Some of my favorites were Madonna, the Duke and Duchess of Windsor, Harry Winston, Naomi Campbell, Coco Chanel, Noel Coward, and Rudi Gernreich.
On the other hand, some of the old black and white images did not reproduce well. Some of the worst examples are Antoine (a hairdresser with a photograph of Josephine Baker's hair), Maria-Louise Bruyere (a designer), Christian Dior, Max Factor, Barbara Goalen (a model), Gucci, and Hermes. In many cases, these choices appear to have been influenced by the desire to have the facing pages converse with one another. So you will see echoes of design, line, and style in these ways. I appreciate that effort (which is often quite eloquent), but it should not slight the individual whose work is being portrayed. I graded the book down one star for the compromises made here not working well in too many cases.
After you have finished reading and enjoying this book many times, I suggest that you think about where else it would be helpful to have a similar work in your life. Perhaps a scrapbook containing photographs of all of your friends who have something in common would be a possibility. You could write a brief text about each. This could greatly add to your pleasure in remembering these friends, and perhaps expand their interaction when they see how you have put them together.
Keep to the essence, but be bold!
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